So, we have finally closed the book on 2010. Now, even as changeover into the new year, this is when most people reflect back on the year before. In the movie world, this is also when critics and movie lovers take the time to review the past year. Not to mention, this is awards season. With the Critics’ Choice Awards in one or two hours weeks and the Oscars less than two months ago, suffice to say the red carpet is formally out.
Today, I will throw myself into that very ring even as bring you Passive Club’s 2010 Movie Awards. Up front, though, I would like to just say, I will do this unique of those big award shows. For one, you’ll see some of the typical categories, but likewise there will be some off-beat ones. Also, call me crazy, but I believe the biggest aspect in judging a movie is its entertainment value. Granted all of the other little issues with making a movie help to make a movie better, however I believe entertainment succeeds a movie’s technical ability in order to define whether it is good or not. So, you won’t be seeing me awarding these “artsy” movies just for their “cinematic achievement” (whatever the terrible that is). Instead, We will be judging on good ole entertainment value (with acting, story, etc. playing factors).
So, without further ado, here are the winners of the first annual Passive Club Movie Awards.
Best Film: Beginning
For me this came down to Beginning and Black Swan. I’ve honestly soap2da spent days mulling it over in my head which will be my movie of the year. However, in the end, Beginning wins out. Inceptionwas also perfect in this way. With intelligent writing, good acting, fun action, great cinematography and so on and so on, the movie turned out to be awesome style with great substance. Nolan proved once again here why he is one of (if not THE) most sought after filmmakers today. A story genius. After watching this movie, it made me realize what a god-send Nolan is to The movies really. Everybody in The movies should be taking notes. This really is how a blockbuster movie should be done. Let’s not kid ourselves, blockbuster action movies will continue to be the bread and butter of The movies for a long time to come. While this is okay, the problem usually lies in that they’re so low and cliche and just “eh”. They often just rely on cool action sequences and awesome looking special effects. Not Beginning, though. This movie provides all that, but then actually brings substance fot it style giving us an engaging and mind-bending/intelligent storyline to go with it. This perfect blend makes Beginning my movie of the year.
Best Professional: James Franco — 127 Hours
I’ve said it before and I’ll say it again: you want to test the merit of an professional? Throw him in a movie where he is pretty much the only person ever on-screen and he’s to carry the entire movie himself. Where the whole weight of the entire movie sets most assuredly on his shoulder muscles. Will he shine? Will he crumble? This is the test. Others have proven themselves just as (Will Smith, He Hanks). And truly I believe this (and the “retard role”) is one of the biggest ways to test an professional and see if he’s one of the greats. So, enter James Franco and 127 Hours. Playing a mountain climber that gets trapped under a boulder and is on it’s own, Franco is left to carry an entire film on his own. Does he succeed? Darn right he does. With flying colors at that. Keeping it interesting, advertising a range of emotions throughout the film and stroking you in all on his own, Franco clearly shows he previously the mettle to tackle such a daunting task and come out on top. For that reason, he’s my professional of the year.
Best Occasional actress: Natalie Portman — Black Swan
Natalie’s performance in the Aronofsky psychological thriller is perfectly brilliant. Her best work to-date in my opinion. Playing a job that needs her to eventually changeover from sweet little trusting princess girl to girl-gone-wild (in a dark side kind of way), she hits every beat without missing a step. I believe the biggest factor for a good actor/actress is range. Anybody can shine in a part that was just generated for them (in line with their natural persona), but range and playing different personas/characters is where an actor/actress can show their true ability. In Black Swanalone, Natalie Portman has shown, in just the 2 hours, that she’s more range than most stars around. She shown more range in one performance than most do in their entire career. For such a brilliant performance Natalie Portman gets my election as occasional actress of the year. I do not think this is even up for debate.
Best Supporting Professional: Christian Bale — The Mma star
Here’s another that we feel is just settled and isn’t up for debate. Bale absolutely took the show in every scene he appeared in the Mma star. The weight loss alone shows Bale’s dedication to his craft. Furthermore, the way he could lose himself in that crackhead personality and into the role of Dicky Eklund just further proved what an amazing professional Bale is. To essentially show you how brilliant his performance was, the movie of real-life Dicky during the credits showed you just how well Bale nailed that performance. It had to almost become looking in a mirror for Dicky.
Best Supporting Occasional actress: Melissa Leo — The Mma star
Yes, the supporting cast of the Mma star was just great. They’re the ones that kept this movie afloat. Leo’s turn as the “white trash” overbearing mother was great and was another (along with Bale’s performance) that really helped this movie shine. Without these two, The Mma star bombs.